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[Closed] Now Playing XXXIII
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- CommentTimeJan 6th 2010
Nautilus wrote
NP:King Kong (Newton Howard)
The main theme (or motif) is mysterious, and highly effective. the action music is pretty well composed and energic. the "love theme" is beautiful.
Then...Why I never can listen the whole album? I really find it tedious.
Yet you want this guy to write the score to Avatar... another 3 hour epic! Dood, you make absolutely no sense whatsoever!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeJan 6th 2010 edited
Erik Woods wrote
Nautilus wrote
NP:King Kong (Newton Howard)
The main theme (or motif) is mysterious, and highly effective. the action music is pretty well composed and energic. the "love theme" is beautiful.
Then...Why I never can listen the whole album? I really find it tedious.
Yet you want this guy to write the score to Avatar... another 3 hour epic! Dood, you make absolutely no sense whatsoever!
-Erik-
The King Kong Album can be a bit tedious to listen to. I find myself skipping the first couple tracks to the journey/island/action section.
Jordi also pointed out "reasons" why JNH would have done a good job in creating the futuristic/world creation aspect of the movie. These, along with the King Kong action cues, are Jordi's broken reasons for suggesting that JNH would have compose a better Avatar score.
Nice quoting. Selecting only half his argument. Perhaps, "Dood"! You just don't want to understand him. Racist. -
- CommentTimeJan 6th 2010
lp wrote
Jordi also pointed out "reasons" why JNH would have done a good job in creating the futuristic/world creation aspect of the movie. These, along with the King Kong action cues, are Jordi's broken reasons for suggesting that JNH would have compose a better Avatar score.
Yet goes on to show an example of how tedious James Newton Howard's epic scores are.
lp wrote
Nice quoting. Selecting only half his argument. Perhaps, "Dood"! You just don't want to understand him. Racist.
No... he just doesn't make sense. Jackass!
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentTimeJan 6th 2010 edited
Erik Woods wrote
lp wrote
Jordi also pointed out "reasons" why JNH would have done a good job in creating the futuristic/world creation aspect of the movie. These, along with the King Kong action cues, are Jordi's broken reasons for suggesting that JNH would have compose a better Avatar score.
Yet goes on to show an example of how tedious James Newton Howard's epic scores are.
-Erik-
It shows how tedious KING KONG score is (for my ears).Newton Howard said he couldn't writte a better score with more time, but I don't believe him.
About Aliens, it's not the same textures that Avatar needed.And in fact, Avatar (how the insert notes and the final music shows) is a big collaborative score. Ian Underwood, Nicholas Dodd and the "temp tracks" had a lot to do with the final result of this score (Without then We probably had much more Horner's rumbling piano and singing birds in the action stuff. )
Anyway, You are smart enough (I want to think that, because if not you will be soon in the same category of Steven: "don't bother answering") to know what I meant, but as usually you only want to piss me off.
PS:Thanks , IP.
NP: far and Away (John Williams)
Remembering my travel to Scotland. One of the best experiences of my life, specially the road to a lighthouse in Skye Island.
The landscapes with Far and Away and Return of the King was breathtaking. -
- CommentTimeJan 6th 2010
Nautilus wrote
About Aliens, it's not the same textures that Avatar needed.And in fact, Avatar (how the insert notes and the final music shows) is a big collaborative score. Ian Underwood, Nicholas Dodd and the "temp tracks" had a lot to do with the final result of this score
They do in any studio-produced film these days. (You have heard Sherlock Holmes, right? Timmer might allow you to speak about that one since the main theme is composed by Ennio Morricone and not Hans Zimmer.) -
- CommentTimeJan 6th 2010 edited
Southall wrote
Nautilus wrote
About Aliens, it's not the same textures that Avatar needed.And in fact, Avatar (how the insert notes and the final music shows) is a big collaborative score. Ian Underwood, Nicholas Dodd and the "temp tracks" had a lot to do with the final result of this score
They do in any studio-produced film these days. (You have heard Sherlock Holmes, right? Timmer might allow you to speak about that one since the main theme is composed by Ennio Morricone and not Hans Zimmer.)
but it's not so usual in Horner's career. We all know Horner is a very closed mind about his music (take that how you want).
but Avatar is diferent. He had to addapt his style into the new era (and in my opinion with a lot of this muscular sound and modern style wich is dominating Hollywood). How he wrotte in the liner notes, in Avatar he worked very close with his orchestrators and synth programers. And this it why this score is a step (back or further, choose what you want) in Horner's career. " Destruction of the hometree" is clearly Horner, but "navi clans for the battle" or "War" contains really influences from other "sources"
A great example of that is Avatar first track "you don't dream in cryo". We have vocalist singing, the 4 notes and some string composition typical from Horner but do you really think the electronic bits and the muscular music from this track comes from Horner's penn? I don't think so.
being said that, Avatar is so easy to listen, so easy to enjoy that the 74 minutes seems 34.
PS: About the composer who you mentioned above, we all know how he works (sometimes for better, sometimes for worst) -
- CommentAuthorAnthony
- CommentTimeJan 6th 2010
Timmer wrote
Nautilus wrote
NP: Devoe's revenge (grennaway) from peacemaker - War (Zanelli and Jablonsky) from Pearl harbor- Wheel Of Fortune (Sponsler and Wire) from Dead man's cheast.
Clever lad
I must admit, I admire his courage. -
- CommentTimeJan 6th 2010
Southall wrote
Nautilus wrote
About Aliens, it's not the same textures that Avatar needed.And in fact, Avatar (how the insert notes and the final music shows) is a big collaborative score. Ian Underwood, Nicholas Dodd and the "temp tracks" had a lot to do with the final result of this score
They do in any studio-produced film these days. (You have heard Sherlock Holmes, right? Timmer might allow you to speak about that one since the main theme is composed by Ennio Morricone and not Hans Zimmer.)
I don't know (care?) if you're serious or not. But if you are, please provide proof. -
- CommentTimeJan 6th 2010 edited
Erik Woods wrote
lp wrote
Jordi also pointed out "reasons" why JNH would have done a good job in creating the futuristic/world creation aspect of the movie. These, along with the King Kong action cues, are Jordi's broken reasons for suggesting that JNH would have compose a better Avatar score.
Yet goes on to show an example of how tedious James Newton Howard's epic scores are.
lp wrote
Nice quoting. Selecting only half his argument. Perhaps, "Dood"! You just don't want to understand him. Racist.
No... he just doesn't make sense. Jackass!
-Erik-
No, he pointed out that King Kong had great parts (action parts) though the overall score can be tedious to listen to. Dunce! -
- CommentTimeJan 6th 2010
Nautilus wrote
but it's not so usual in Horner's career. We all know Horner is a very closed mind about his music (take that how you want).
but Avatar is diferent. He had to addapt his style into the new era (and in my opinion with a lot of this muscular sound and modern style wich is dominating Hollywood). How he wrotte in the liner notes, in Avatar he worked very close with his orchestrators and synth programers. And this it why this score is a step (back or further, choose what you want) in Horner's career. " Destruction of the hometree" is clearly Horner, but "navi clans for the battle" or "War" contains really influences from other "sources"
A great example of that is Avatar first track "you don't dream in cryo". We have vocalist singing, the 4 notes and some string composition typical from Horner but do you really think the electronic bits and the muscular music from this track comes from Horner's penn? I don't think so.
being said that, Avatar is so easy to listen, so easy to enjoy that the 74 minutes seems 34.
Well said, Jordi! i completely agree with you. In fact, i am quite pleased with your point of view on the score Avatar. As you said, Horner should have adapted or changed himself to new era of Hollywood. To me, Avatar is rehash of GLORY + FOUR FEATHERS + APOCALYPTO (almost) etc. The most annoying stuff is that some critics around the world have rated this score as 5 star. Damn! Damn!. There are only three tracks are listenable ( Becoming one...., Jake First Flight.. and War) and others just blah, blah.....Racism, Prejudices and discrimination exists everywhere. -
- CommentTimeJan 6th 2010 edited
WALL-E - THOMAS NEWMAN
Wow! damn good score. I have just addicted to one particular track called Define Dancing, simply classic.Racism, Prejudices and discrimination exists everywhere. -
- CommentTimeJan 6th 2010
Nautilus wrote
A great example of that is Avatar first track "you don't dream in cryo". We have vocalist singing, the 4 notes and some string composition typical from Horner but do you really think the electronic bits and the muscular music from this track comes from Horner's penn? I don't think so.
I do, because it's like other things he's done in the past.
I'm sure he's used ghostwriters in his time (I doubt there's a Hollywood composer who hasn't) but I'd be amazed if he did on Avatar, given the timescales. The Nicholas Dodd stuff is not as pronounced as it is in most other scores he's worked on. -
- CommentTimeJan 6th 2010 edited
Southall wrote
Nautilus wrote
A great example of that is Avatar first track "you don't dream in cryo". We have vocalist singing, the 4 notes and some string composition typical from Horner but do you really think the electronic bits and the muscular music from this track comes from Horner's penn? I don't think so.
I do, because it's like other things he's done in the past.
I'm sure he's used ghostwriters in his time (I doubt there's a Hollywood composer who hasn't) but I'd be amazed if he did on Avatar, given the timescales. The Nicholas Dodd stuff is not as pronounced as it is in most other scores he's worked on.
You do? I never have heard this electronics bits before in Horner. if you did, please tell me where...
But you are righ, Avatar is not Sahara
Anyway, Did you see the movie? Because When I talk about Dodd influences are more in the music in the film and not realeased than in the actual Album (except for War and the few electronics I said) -
- CommentTimeJan 6th 2010
Nautilus wrote
Anyway, Did you see the movie? Because When I talk about Dodd influences are more in the music in the film and not realeased than in the actual Album (except for War and the few electronics I said)
I did see it. I was so mesmerised by the film, I didn't really notice those bits (the only bit of score which I noticed which isn't on the album is the Aliens bit). -
- CommentTimeJan 6th 2010 edited
Southall wrote
Nautilus wrote
Anyway, Did you see the movie? Because When I talk about Dodd influences are more in the music in the film and not realeased than in the actual Album (except for War and the few electronics I said)
I did see it. I was so mesmerised by the film, I didn't really notice those bits (the only bit of score which I noticed which isn't on the album is the Aliens bit).
Ahahah! yes! I notice the Aliens "danger motif" in the fight between quaricht and Jake too! it was great to hear it! -
- CommentAuthorfranz_conrad
- CommentTimeJan 6th 2010
NP: Le Voyage et Ballon
This is fantastic. For me, probably the best release of old score last year, as it brought my attention to music from a film I'd never heard of before. The various expanded releases never get me so excited as something like this does, partly because a lot of the best bits existed on previous releases. This is like Journey of Natty Gann and Something Wicked this way comes - great to have at all.A butterfly thinks therefore I am -
- CommentTimeJan 6th 2010
Timmer wrote
Sunil wrote
Southall wrote
Avatar - James Horner
Fantastic album.
I looked at this five, six, seven times and it still doesn't say Best of - Boyzone.
Or best of Michael Jackson.Love Maintitles. It's full of Wanders. -
- CommentTimeJan 6th 2010
franz_conrad wrote
NP: Le Voyage et Ballon
This is fantastic. For me, probably the best release of old score last year, as it brought my attention to music from a film I'd never heard of before. The various expanded releases never get me so excited as something like this does, partly because a lot of the best bits existed on previous releases. This is like Journey of Natty Gann and Something Wicked this way comes - great to have at all.
Agreed! A wonderful album with some wonderful music. -
- CommentTimeJan 6th 2010
Timmer wrote
Sunil wrote
Southall wrote
Avatar - James Horner
Fantastic album.
I looked at this five, six, seven times and it still doesn't say Best of - Boyzone.
Thanks for the laugh.'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentTimeJan 6th 2010 edited
lp wrote
Racist.
Spaniards are a race now?
Tread VERY lightly, lp. I have said this before: this shit won't fly.'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentTimeJan 6th 2010
NP:Angels in America (newman)
Or what do you think?
Everybody seems to agree is one of the best scores by Newman.
Probably... -
- CommentTimeJan 6th 2010
I am one who disagrees. I much prefer Meet Joe Black. (OK, Newman and his tiny, short tracks have never been my favourites in film music...) -
- CommentTimeJan 6th 2010
Angels In America has -I think- one of the best themes.
But it's not my favourite Newman score.'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentTimeJan 6th 2010
Nautilus wrote
NP:Angels in America (newman)
Or what do you think?
Everybody seems to agree is one of the best scores by Newman.
Probably...
It's my favourite Newman album, certainly. -
- CommentTimeJan 6th 2010
Naming my favourite things is one of my favourite things. So I'd say Little Women is my favourite Newman album, whereas Shawshank is my favourite Newman score! -
- CommentTimeJan 6th 2010
The Green Mile for me.'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentTimeJan 6th 2010
Steven wrote
Naming my favourite things is one of my favourite things. So I'd say Little Women is my favourite Newman album, whereas Shawshank is my favourite Newman score!
Who's your all-time third favourite Belgian? -
- CommentTimeJan 6th 2010 edited
Southall wrote
Steven wrote
Naming my favourite things is one of my favourite things. So I'd say Little Women is my favourite Newman album, whereas Shawshank is my favourite Newman score!
Who's your all-time third favourite Belgian?
Do you like Belgians?
-Jordi- -
- CommentTimeJan 6th 2010
The chocolate ones.'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentTimeJan 6th 2010
Nautilus wrote
-Jordi-
Ah. As opposed to the OTHER Nautilus.'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn