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[Closed] Now Playing XXXVII
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- CommentAuthorKevin Scarlet
- CommentTimeNov 29th 2010
DemonStar wrote
DreamTheater wrote
Avatar complete promo - James Horner
My first real listen of the complete score, after having watched the film a couple of times already. It still works better inside the film than outside, because there's too much uninteresting going on, especially the first hour. But at least it builds to something better and memorable from that point on.
While I like some of the melodic and creative ideas, I've heard him do so much better in the past, and I really hope he will write something more consistently fantastic for the sequels. Because what I really miss in this score is consistency and a grander sound.
I mainly just listen to the third disc (with all the final battle cues), that's more or less the bulk of all the unreleased material. The unreleased "War" cues are all quite cool!
The entire "War" suite -- all 20-25 minutes of it -- is worth the price of admission alone. -
- CommentAuthorKevin Scarlet
- CommentTimeNov 29th 2010
Lust, Caution - Desplat
This might be the best score I've heard all year. I play it so much and it never gets old... -
- CommentAuthorKevin Scarlet
- CommentTimeNov 29th 2010 edited
The Painted Veil - Desplat
This would be a close second. "Cholera" and "The End of Love" are a double whammy of tragedy. -
- CommentTimeNov 29th 2010
Blade Runner Orchestral Adaptation - Vangelis
Performed by the world-renowned The New American Orchestra.
A more enjoyable version of Vangelis' original tunes. Love Theme and End Title sound actually very close to the real thing, yet very symphonic."considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentTimeNov 29th 2010 edited
It's funny. For years I've seen this CD on the shelves in shops but have never been tempted because it was played by an orchestra and because it was not the original performances.The views expressed in this post are entirely my own and do not reflect the opinions of maintitles.net, or for that matter, anyone else. http://www.racksandtags.com/falkirkbairn -
- CommentAuthorTimmer
- CommentTimeNov 29th 2010
DreamTheater wrote
Blade Runner Orchestral Adaptation - Vangelis
Performed by the world-renowned The New American Orchestra.
A more enjoyable version of Vangelis' original tunes. Love Theme and End Title sound actually very close to the real thing, yet very symphonic.
I used to have this on LP, at one time it was, for many years, the only version of BLADERUNNER available, it's very well done but not a patch on the original, IMO.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeNov 29th 2010
Conan the Barbarian - Prometheus release
Just the first 10 tracks in my car earlier. What power! What energy! I'm stunned. It surpasses my expectations. And I haven't even come to the good part yet!
GODDAMNFRIKKINAWESOME"considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentTimeNov 29th 2010
Timmer wrote
DreamTheater wrote
Blade Runner Orchestral Adaptation - Vangelis
Performed by the world-renowned The New American Orchestra.
A more enjoyable version of Vangelis' original tunes. Love Theme and End Title sound actually very close to the real thing, yet very symphonic.
I used to have this on LP, at one time it was, for many years, the only version of BLADERUNNER available, it's very well done but not a patch on the original, IMO.
Well I haven't listened to the original score once in my life, apart from hearing it in the film I've bought on blu-ray."considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentAuthorTimmer
- CommentTimeNov 29th 2010
DreamTheater wrote
Conan the Barbarian - Prometheus release
Just the first 10 tracks in my car earlier. What power! What energy! I'm stunned. It surpasses my expectations. And I haven't even come to the good part yet!
GODDAMNFRIKKINAWESOME
10 kudos points for appropriate use of the word 'GODDAMNFRIKKINAWESOME'.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorTimmer
- CommentTimeNov 29th 2010
NP : 8MM - Mychael Danna
A very good, ethnically tinged score, very North African flavoured.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeNov 29th 2010
DreamTheater wrote
GODDAMNFRIKKINAWESOME
Can you say this 10 times over without mumbling ?!"Simplicity is the key to brilliance" -
- CommentTimeNov 29th 2010 edited
NP: How To Train Your Dragon - John Powell
I can't get enough of this one!
Afterwards, in honour of Irvin Kershner, I will spin The Empire Strikes Back
-Erik-host and executive producer of THE CINEMATIC SOUND RADIO PODCAST | www.cinematicsound.net | www.facebook.com/cinematicsound | I HAVE TINNITUS! -
- CommentAuthorTimmer
- CommentTimeNov 29th 2010
NP : BRAVEHEART - James Horner
Mel Gibson's fairytale come fantasy film gets a fantabulous score, love it!On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeNov 29th 2010 edited
a Jerry Goldsmith compilation
I'm very fond of the music from "Under Fire". Reminded me a bit of MI-2 and the Zorro-ost-s, with the sweaty exotic sound, the flamenco touch, and the prominent use of guitar. Very beautiful.
Special greetings for Thor, this being my first online appearance since his visit to Ghent! -
- CommentTimeNov 29th 2010
The Tamarind Seed - John Barry
Crappy-sounding bootleg, sadly. How there can be no official release of this (given how great it is) is beyond me. What a main theme. -
- CommentAuthorTimmer
- CommentTimeNov 29th 2010
Southall wrote
The Tamarind Seed - John Barry
Crappy-sounding bootleg, sadly. How there can be no official release of this (given how great it is) is beyond me. What a main theme.
Yeah, I have that, at least it's a listenable boot.
There's been talk for a number of years that this would get a release, I believe Silva were going to do it at one point? I'm sure this will get released eventually.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorKevin Scarlet
- CommentTimeNov 30th 2010
Timmer wrote
NP : BRAVEHEART - James Horner
Mel Gibson's fairytale come fantasy film gets a fantabulous score, love it!
Can't go wrong with a classic. -
- CommentTimeNov 30th 2010 edited
Timmer wrote
NP : BRAVEHEART - James Horner
Mel Gibson's fairytale come fantasy film gets a fantabulous score, love it!
My number one Horner work, not a single moment in that score I don't love.
Timon wrote
a Jerry Goldsmith compilation
I'm very fond of the music from "Under Fire". Reminded me a bit of MI-2 and the Zorro-ost-s, with the sweaty exotic sound, the flamenco touch, and the prominent use of guitar. Very beautiful.
Special greetings for Thor, this being my first online appearance since his visit to Ghent!
Hey Tim, would that be 'The Omen' 2 CD compilation by Silva? I have it too and it's a brilliant sampler of all great things Goldsmith. Even though some would say the performances are not too great, I don't have one problem with it."considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentTimeNov 30th 2010
ALEXANDER DESPLAT - harry potter and the deathly hallows
Splendid. Its calmer, more melodic parts sound like an extension to his Twilight material which is always a good thing.Love Maintitles. It's full of Wanders. -
- CommentTimeNov 30th 2010
NP: The Thing - Ennio Morricone
First listen. It is VERY good...and an absolutely grating stand-alone listen.
Interesting: it's not often that I really cannot listen to a score yet am able to still discern its quality (and it really IS very good!)
The harrowing track Bestiality is going on my Horror playlist, but the rest of the score is off my iPod.
It's too much work.
Switching to Sideways - Rolfe Kent
Talk about polar opposites.
Lovely, jazzy, extremely listenable and harmony-friendly score, and I think Kent's best.'no passion nor excitement here, despite all the notes and musicians' ~ Falkirkbairn -
- CommentTimeNov 30th 2010
Broken Arrow - Hans Zimmer
After Crimson Tide, another pure testosterone-filled Zimmer with hardly room to breathe, power, electric guitars and good melodies, and I love that incredibly potent mix. I prefer this sound over his 'droning' Batman Begins, Dark Knight scores or even Inception. Truthfully one of my Zimmer favourites from the 90s."considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentTimeNov 30th 2010
Eric wrote
DreamTheater wrote
GODDAMNFRIKKINAWESOME
Can you say this 10 times over without mumbling ?!
GODDAMNFRIKKINAWESOME
GODDAMNFRIKKINAWESOME
GODDAMNFRIKKINAWESOME
GODDAMNFRIKKINAWESOME
GODDAMNFRIKKINAWESOME
GODDAMNFRIKKINAWESOME
GODDAMNFRIKKINAWESOME
GODDAMNFRIKKINAWESOME
GODDAMNFRIKKINAWESOME
GODD... AMNFRIK... KINAWES... OME
AW SHIT !!!!!"considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentAuthorTimmer
- CommentTimeNov 30th 2010
Martijn wrote
NP: The Thing - Ennio Morricone
First listen. It is VERY good...and an absolutely grating stand-alone listen.
Interesting: it's not often that I really cannot listen to a score yet am able to still discern its quality (and it really IS very good!)
The harrowing track Bestiality is going on my Horror playlist, but the rest of the score is off my iPod.
It's too much work.
Switching to Sideways - Rolfe Kent
Talk about polar opposites.
Lovely, jazzy, extremely listenable and harmony-friendly score, and I think Kent's best.
I can listen to THE THING anytime, love it from begining to end.
SIDEWAYS is a fine and highly enjoyable album.On Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentAuthorTimmer
- CommentTimeNov 30th 2010 edited
DreamTheater wrote
Eric wrote
DreamTheater wrote
GODDAMNFRIKKINAWESOME
Can you say this 10 times over without mumbling ?!
GODDAMNFRIKKINAWESOME
GODDAMNFRIKKINAWESOME
GODDAMNFRIKKINAWESOME
GODDAMNFRIKKINAWESOME
GODDAMNFRIKKINAWESOME
GODDAMNFRIKKINAWESOME
GODDAMNFRIKKINAWESOME
GODDAMNFRIKKINAWESOME
GODDAMNFRIKKINAWESOME
GODD... AMNFRIK... KINAWES... OME
AW SHIT !!!!!
FailOn Friday I ate a lot of dust and appeared orange near the end of the day ~ Bregt -
- CommentTimeNov 30th 2010
DreamTheater wrote
Hey Tim, would that be 'The Omen' 2 CD compilation by Silva? I have it too and it's a brilliant sampler of all great things Goldsmith. Even though some would say the performances are not too great, I don't have one problem with it.
It's the "focus scoort" cd from Silva. -
- CommentTimeNov 30th 2010 edited
Southall wrote
The Tamarind Seed - John Barry
Crappy-sounding bootleg, sadly. How there can be no official release of this (given how great it is) is beyond me. What a main theme.
It supposed to be "in the works" by an un-named label.
Heard an opera on the radio this morning (no singing, thankfully) by Bejamin Britten called "Peter Grimes".
Unbelivable -- Horner plagarises everything, doesn't he? That terrific ascending three/four note motif in a cue of "The Journey of Natty Gann" that has the soft woodwind (maybe a high key flute?) ... not only ripped off here, but he lifted the orchestrations, too!
The opera was kind of long, and in sections. It was disheartening to then here in the final section (as I recall) Goldsmith also lift from Britten. As I recall, it was a theme from "Star Trek V: The Final Frontier", more specifically one from the "A Busy Man" cue. Unlike Horner, he attempted to vary and appropriately alter the orchestrations.The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else. -
- CommentAuthorPawelStroinski
- CommentTimeNov 30th 2010
BRITTEN, Justin. BRITTEN.
If there's something Bitten it's either your keyboard or your spelling skills...http://www.filmmusic.pl - Polish Film Music Review Website -
- CommentTimeNov 30th 2010
Eat me.The views and opinions of Ford A. Thaxton are his own and do not necessarily reflect the ones of ANYONE else. -
- CommentTimeNov 30th 2010
Timmer wrote
Fail
"considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G. -
- CommentTimeNov 30th 2010
Timon wrote
DreamTheater wrote
Hey Tim, would that be 'The Omen' 2 CD compilation by Silva? I have it too and it's a brilliant sampler of all great things Goldsmith. Even though some would say the performances are not too great, I don't have one problem with it.
It's the "focus scoort" cd from Silva.
Ha but all the cues on the 'Focus Scoort CD' comes from that compilation. It's this one I'm talking about."considering I've seen an enormous debate here about The Amazing Spider-Man and the ones who love it, and the ones who hate it, I feel myself obliged to say: TASTE DIFFERS, DEAL WITH IT" - Thomas G.